Dayhoff Westminster Soundtrack: Music electronica

Showing posts with label Music electronica. Show all posts

Monday, August 11, 2008

Manic Monday: Massive Attack - Dissolved Girl August 11 2008

20080811 Manic Monday Massive Attack Dissolved Girl

Manic Monday: Massive Attack - Dissolved Girl

August 11, 2008

It’s been Monday all day. Word has it that it will be Monday for quite a few more hours… At least I have two of my three columns due for this week filed. Right now I need a snack and a nap…

Massive Attack Dissolved Girl

http://www.youtube.com/watch?v=OT8QT4BEOTo

David Sylvian - Orpheus

http://www.youtube.com/watch?v=E2dgMNm64Mg

More: Art Music electronica Massive Attack

Art Music electronica

Art Music electronica Sylvian – David Sylvian

Saturday, July 05, 2008

20080704 v1 Techno ver. Carroll Co. MD 4th of July Fireworks

Carroll County Maryland 4th of July Fireworks

http://www.youtube.com/watch?v=RjbzGTz3Z5s

Version 1 – The Techno-electronica mix

By Kevin Dayhoff

http://www.youtube.com/kevindayhoff

July 4th, 2008

www.kevindayhoff.net

Friday, June 06, 2008

20080606 Massive Attack Angel

Massive Attack – Angel

http://youtube.com/watch?v=ygw2zmEVsvc

Love the ending…

20080606 Massive Attack Angel

Thursday, June 05, 2008

20080605 “Pretty in Pink” and Massive Attack’s “Teardrop”

Untold - A Pretty in Pink Trailer

http://youtube.com/watch?v=5dSFgY7ro4Y

For fans of the movie, “Pretty in Pink,” this YouTube is a video about “Pretty in Pink,” with Massive Attack’s “Teardrop,” for the soundtrack.

The poster, fayzabeam wrote:

This is DEFINITELY the last Pretty in Pink video for the time being! I wanted to experiment with using some dialogue from the film in a video, to see if it actually was possible to represent a slash subtext using the actual script. I had to be creative here, but I think it works! The song, whilst not contemporary to the film, works well as a backing track; the footage itself was built around one long, slow clip of James Spader that I'd forgotten to include in the previous videos and I desperately wanted to give a home to! Oh, one thing - there is some *strong* language in this video, because it has dialogue - consider yourself warned!

####

20080605 “Teardrop” by “Massive Attack”

"Teardrop" - Massive Attack

http://youtube.com/watch?v=yftOy8kz7aE

Best played at 11… JSD will understand that…

“Teardrop” was released as a single on April 21, 1998 by “Massive Attack.” It first appeared on their album “Messanine.” I had meant to post this on the 10^th anniversary of its release and was overtaken by events. I get so annoyed when work gets in the way of art.

Dayhoff "Five Easy Pieces"

Dayhoff literature of the absurd

20080131 The “old” blog Kevin Dayhoff’s “Storage Closet” can be found here

20080605 “Pretty in Pink” and Massive Attack’s “Teardrop”

*****

The poster, fayzabeam wrote:

Your moment of Zen to Teardrop by Massive Attack. These are fractured images from the Hubble Space Telescope. They are animated in iMovie on a Macbook. The reference to Portishead at the end of the film is an error. But once I posted it, I didn't want to pull the video so the error remains. Sorry.

Liz fraser

(love)love is a verb

Love is a doing word

Feathers on my breath

Gentle impulsion

Shakes me makes me lighter

Feathers on my breath

Teardrop on the fire

Feathers on my breath

In the night of matter

Black flowers blossom

Feathers on my breath

Black flowers blossom

Feathers on my breath

Teardrop on the fire

Feathers on my breath

Water is my eye

Most faithful my love

Feathers on my breath

Teardrop on the fire of a confession

Feathers on my breath

Most faithful my love

Feathers on my breath

Teardrop on the fire

Feathers on my breath

Another version:

Massive Attack - Teardrop (Dopaminex Remix)

http://youtube.com/watch?v=VdCQ9NxxyTo

And yet another:

Massive Attack - Teardrop

http://www.youtube.com/watch?v=T6iUBd2D38E

For fans of the movie, “Pretty in Pink,” there is a YouTube video about “Pretty in Pink,” with Massive Attack’s “Teardrop,” for the soundtrack. Unfortunately I cannot put it on “Kevin Dayhoff Soundtrack” because of the strong language content. Please find it here on Kevin Dayhoff’s Storage Closet:

20080605 “Pretty in Pink” and Massive Attack’s “Teardrop”

Untold - A Pretty in Pink Trailer

http://youtube.com/watch?v=5dSFgY7ro4Y

The poster, fayzabeam wrote:

####

20080605 “Teardrop” by “Massive Attack”

Tuesday, April 22, 2008

20080422 The Happy Colors, Massive Attack, and Carly Simon

The Happy Colors, Massive Attack and Carly Simon

April 22, 2008

Massive Attack - Live With Me

http://www.youtube.com/watch?v=2LgrGHWSy6k

This song reminded me of:

Carly Simon- “That's the Way I Always Heard It Should Be” from 1971

http://youtube.com/watch?v=JdFjWZBRl6U

And it also reminded me of:

19960422 "The Happy Colors" The Dream of the Pink Zebras 04.22.1996 Binder # 15 v. #4.0095 07.1995 –

http://kevindayhoff.blogspot.com/1996/04/19960422-happy-colors-dream-of-pink.html

"The Happy Colors" The Dream of the Pink Zebras 04.22.1996 Binder # 15 v. #4.0095 07.1995 –

04/22/1996

"Life has a value only when it has something valuable as its object". HEGEL, Introduction to Philosophy of History (1852)

"We love life, not because we are used to living but because we are used to loving". NIETZSCHE, "On Reading and Writing" _ Thus spoke Zarathustra (1883-1892)

"Always develop solutions to challenges that can withstand testing conditions that closely approximate reality". GRANDPA DAYHOFF, "The Frozen Chicken Test" (11.1994)

...of which reminds me of a story that has been in my head for years... a love story called:

"The Happy Colors"

A sultry August ocean breeze drooled over them as they stood poised at the railing on the balcony of the large art-deco condominium overlooking a vast ocean beyond. Far below little people and cars scurried about putting away the remains of another day at the beach. The cries of tired children, squeals of laughter and the banter of parental instructions all jumbled together with the calls of the sea gulls and an ocean's heartbeat pumped waves that crashed upon the shore. It was music written by the Great Composer in the sky. A piece called "The Happy Colors".

The colors were to be remembered so well. The breeze ruffling her long hair ever so delicately. The sparkle of her eyes as she gazed at the deep azure expanse of the ocean below. The deep maroon of the setting sun as it echoed off her glass of red wine held so deftly in her seasoned, thoughtful fingers. A warm smile sprung from her inviting crimson lips, brightening her face which reflected the flickering yellow candle light. A lone white candle stood sentry, melting on to a black tablecloth that maintained the remains of abandoned china and dessert for two. The cream of her graceful gown mimicked the creamy black russian captured in the solid glass grasped in his deeply creased and weathered hands. His graying hair contrasted with the dark black of his finely tailored black tuxedo.

Their conversation drifted from the previous discussion of how they had met, and parted, in their childhood years. Perhaps they had even been lovers in a previous life. The years had marched by. And although they had lived separately for all these years, they had never left each other. They hadn't regretted their lives apart, but, then again, they did. Neither had known the other was to be at this function. This meeting again, for the first time, all over again; it was of serendipitous happenstance. As wave upon wave crashed and pounded upon the shore below, their eyes remained transfixed upon one another, oblivious to the party's banter, as their hearts crashed and pounded in unison in their warm chests. A grandfather clock dutifully stood sentry and watched the crowd beyond, and kept them away, as it quietly announced the time, seemingly, only to them...Midnight.

A stimulating intellectual discourse ensued. Alice B. Toklas was instrumental to whatever it was, that Gertrude Stein became. F. Scott Fitzgerald needed the catharsis of Zelda's being in order to create. Nietzsche fleshed out the paragraphs of their life but Hegel defined their meaning and Sartre gave them the punctuation. They had built their lives, their own way, and though they had had their shortcomings here and there, they were happy with the lives they had lived, albeit apart. They had made the best choices that they could make, not that they always had the criteria necessary in order to make the choices. They had made their choices in life because they had to make the choices. They had soared in hostile air. In a life of no inherent meaning, they had created a meaning. Their meaning. Now, older and wiser, the works that they had created, the thoughts they had promoted, the decisions they had made; were all the foundation of the work that laid ahead, that needed to be done.

They continued on to a poem that had marked their decisions in life, by a sage author they had long since forgotten....Does one build a fence at the top of the chasm of life or provide for an ambulance below?

At that, the handsome young waiter tentatively inquired about their needs.... They had none. Then again. Maybe one more drink before they left the party and parted company once again. To again do what they had to do. Because it is what it is, this life of their's.

"Yes, I'll have another black russian for me and a glass of red wine for the lady. Thank you".

The jazz quartet played a soft number in the background as the party in her honor grew quiet, reflecting about their chance meeting. Many smiled, some mused philosophically, others miffed jealously. Meanwhile, on the balcony, the lovers discussed their latest endeavors as they entwined in dance to the soft caresses of the music, oblivious to the quiet banter beyond.

They danced so softly together. Her hand ran longingly through his graying hair. Her long hair blowing across his eyes. The sun dipping below a wanting horizon. The sea gulls sang their good night praises of yet another great day in a great life.

The wise grandfather clock called to them that it was, indeed, time to go. They wanted this moment to never end. As the waiter appeared at the door of the balcony, as they held each others hand so tightly and gazed into each others eyes, as they whispered how much they were in lover and how glad they were that they had found each other again.

They a paused at the railing of the 17th floor and gazed into the sun's remains of the day and promised that they'd never part again... At that;

they climbed upon the railing, and jumped.

Grandpa Dayhoff 04.22.1996

"The more absurd life is, the more insupportable death is". JEAN-PAUL SARTRE, The Words (1964)

"Man's 'progress' is but a gradual discovery that his questions have no meaning". SAINT-EXUPERY, The Wisdom of the Sands (1948)

"Life has to be given a meaning because of the obvious fact that it has no meaning". HENRY MILLER, "Creative Death", The Wisdom of the Heart (1941)

"Man is the only animal for whom his own existence is a problem which he has to solve". ERICH FROMM, Man for Himself (1947)

To be an artist is to jump...to jump from the comforts and confines...from behind the railing...then experience the free-for-all-fall of the intellectual, artistic unknown and document the meaning, your own meaning that which you and you alone, give this existence.

This piece has been in my head for years. I have not a clue as to what "the jump" is all about. Perhaps I should have left "the jump" in my head, but I had grown tired of the space it was taking up. Perhaps, "the jump" is an existential artistic exercise and can be interpreted as affirming. Anyway, I've always gotten a kick out of the incongruous, Hemingway-twist ending. I guess I'm a bit worried that many will find this piece disturbing. Well, it is what it is. I think perhaps the piece is allegorical. It's art. It's done. Now I have room for another piece.....Mr. Eaton would have liked this I'll bet....

Grandpa Dayhoff 04.22.1996

"The Happy Colors" The Dream of the Pink Zebras 04.22.1996 Binder # 15 v. #4.0095 07.1995 –

Kevin Dayhoff, a slave to the masters of the page - the little soldiers in my life – words

20080422 The Happy Colors, Massive Attack, and Carly Simon

Friday, January 25, 2008

20080114 Danish indietronica artist Tone - Sofie Nielsen releases her new album, "Small Arm of Sea", under a Creative Commons license.

Danish indietronica artist Tone - Sofie Nielsen releases her new album, "Small Arm of Sea", under a Creative Commons license.

Hat Tip: News Grist - Copy our records for your friends, please!

News Grist is carrying a great story about Danish indietronica artist Tone - Sofie Nielsen releases her new album, "Small Arm of Sea", under a Creative Commons license.

The release of the album is causing quite a stir for several reasons, not to overlook that indietronica artist Sofie Nielson is sensational...

However, additionally, according to a January 16, 2008 press release, called to our attention courtesy of News Grist: “Consumers are free to copy and redistribute the album legally – and are encouraged to do so by the record label.”

There (finally) seems to be a growing trend to ditch DRM (Digital "Rights" Management) in favor of new business models and perhaps even new licensing practices in the music industry that are more in tune with the culture and technologies at large (file-sharing, etc.) -- read about Radiohead and their decision to release In Rainbows on a pay-what-you-wish basis -- or free -- download. Of course, these decisions are being initiated by the artists not their labels...

via Henrik Moltke's Blog:

Tone: Please copy my CD (You won' t get in trouble, promise!)

Tuesday, January 15, 2008, posted by Henrik Moltke at 11:03 PM

This is big. On january 21st, the extremely charming Aalborg-based indietronica artist Tone (Sofie Nielsen) releases her new album, "Small Arm of Sea", under a Creative Commons license.

Her label, Urlyd, says Copy our records for your friends, please! and the danish collecting society KODA backs the release, making sure commercial uses are covered by the usual compensation scheme. This is historic, and I am extremely pleased to see this happen for the first time in Denmark.

Oh, and did I mention - Tone's music is GREAT. […]

Tone website and Myspace

20080114 Tv2 Denmark interview with Tone Sofie Nielsen

Opfordring til CD-kopiering 23:10 14-01-2008: Et lille Aalborg-baseret pladeselskab opfordrer direkte til at kopiere deres musik, også den cd, som er lige på trapperne. Link: http://nyhederne-dyn.tv2.dk/video/index.php/nodeId-10020491.html

Silences disruture for Tone's "Work it"

http://www.youtube.com/watch?v=neI_qMFAjOk

[…]

PRESS RELEASE for immediate release

Wednesday, January 16 2008

DANISH LABEL: PLEASE COPY OUR RECORDS FOR ALL YOUR FRIENDS!

Danish label Urlyd announces the release of the world's first Creative Commons-licensed physical music album, backed by Danish copyright collecting agency KODA. Consumers are free to copy and redistribute the album legally – and are encouraged to do so by the record label. "In the past allowing your fans to share your music meant waving goodbye to an important revenue stream for the artist. URLYD is the first label to offer the artist and fan the best of both worlds" say the founders.

We're all familiar with the classic "All Rights Reserved" notice in books, music and film recordings stating that copying is prohibited. Yet today, sharing a musical work is easier than making a phone call. Illegal filesharing of copyrighted works has been a major concern for record labels and publishers since the advent of Napster. "Music wants to be free", computer-savvy teenagers argue. Now an alternative path that is both legal and free is emerging – from the music industry itself - in the shape of a small Danish independent record label, Urlyd which uses the Creative Commons licensing system. On Monday, January 21, 2008, the labels' first release, Small Arm of Sea by female indietronica singer, songwriter and producer Tone, will be available for purchase in Danish record stores. With her abstracts beats, unique voice and hypnotizing lyrics, Tone makes her debut after little more than a year spent lurking in Denmark's musical underground and on MySpace. Printed on the CDs and vinyls are the words "Copy this album for your friends, please!". We really mean this. On the same day the album will be available for download – freely, at no charge and without Digital Rights Management (DRM) – at the record label's website, urlyd.com. Anyone can download it for free or pick up the album in-store.

"Music connects directly with feelings, things you experience. We believe music in best when shared and this perfectly natural behavior should be encouraged, not criminalized", say the founders of Urlyd, Christian Villum and Sune Petersen. "We cannot tell music lovers how or whether to support the artist, so we give them the choice between donating online, going to a live performance or purchasing the album in-store where it is sold as a limited edition. We believe this positive approach will benefit both artists and consumers.”

Innovative audiovisual album format

Urlyd launches a new audiovisual format combining traditional CD/LP with the DVD format – at regular CD price. In collaboration with Danish VJ and video artist Kristian Ravn-Ellestad, Tone (Sofie Nielsen) unites music and video intro a mesmerizing audiovisual experience – an important element of Tone's live performances.

Creative Commons and KODA

Until recently the use of Creative Commons licenses was incompatible with services provided by collecting societies such as KODA (KODA administers Danish and international copyrights for composers, songwriters and music publishers when their musical works are performed in public). If a singer, musician, publisher, or producer wanted to distribute her work for free online under a Creative Commons license, she was forced to give up the right to receive compensation through royalties collected by the collecting agency. As a consequence, mostly bands without a recording contract and outside of the collective rights management have used the Creative Commons model. "The novelty here is that our artists can collect commercial royalties through the traditional model while fully using the potential of the internet - giving fans the freedom to do what they ultimately do best."

For more information, contact URLYD
Christian Villum - villum@urlyd.com - (+45) 2087 7153 or Skype: christianvillum

(Christian Villum is currently in New York City, available for interviews)

urlyd.com - press photos in high resolution available on urlyd.com/press

For more information about Creative Commons, see http://creativecommons.org

Be sure to go here: Copy our records for your friends, please! And read the entire post