Journalist @baltimoresun writer artist runner #amwriting Chaplain PIO #partylikeajournalist

Journalist @baltimoresun writer artist runner #amwriting Chaplain PIO #partylikeajournalist
Journalist @baltimoresun writer artist runner #amwriting Md Troopers Assoc #20 & Westminster Md Fire Dept Chaplain PIO #partylikeajournalist

Wednesday, October 29, 2003

20030222 Audrey Cimino’s vocalist performing bio

AUDREY CIMINO

Vocalist

February 22, 2003

Audrey’s performing credits start at the age of three when she was lifted on to a tabletop at the local VFW hall in her hometown of Burlington, Vermont to sing, Papa Won’t You Dance With Me. She fell in love with the applause and hasn’t stopped singing since.

During her high school years Audrey sang in the school’s chorus and several other smaller vocal groups. She was also a repeat qualifier for all-state chorus. On weekends she was the lead vocalist for the town’s big band jazz orchestra that was formed by several former members of the Tommy Dorsey and Glenn Miller orchestras. During this period she also placed second in the state of Vermont level of the Talentville USA competition. This was a national competition that pitted a variety of performing talents against one another.

After moving to Baltimore in 1973, Audrey’s performing focus centered on theatre for a long while. Her theatre credits include leading roles in Oliver, Kiss Me Kate, Gypsie, Kiss of the Spider Woman, All My Sons, Nunsense, Into the Woods, Man of La Mancha, the King and I, and Fiddler on the Roof among others. She did continue during this span, however, to do solo vocalist work for weddings, variety shows, and voice-over vocals for industrial films.

In recent times, Audrey has also been guest vocalist with the Carroll County Jazz Ensemble and Herb Sell’s Jazz Quintet among her solo performances. She has also stayed active in choral music, singing with two church choirs during this period, as well as the Carroll County Choral Society and the Masterworks Chorale of Carroll County. During the past couple of years she has joined with her husband, Joe, in performing professionally for large group events. Their music selections offer a collage that spans from theatre to the classic tunes of the 1940’s.

Away from the performing arts, Audrey is an attorney and the Executive Director of the Community Foundation of Carroll County, Maryland.

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Friday, October 24, 2003

20031007 In Defense of Rush by Mary Katharine Ham/Richmond County Daily Journal


Editorials: IN DEFENSE OF RUSH: The media need to call it both ways

By Mary Katharine Ham/Richmond County Daily Journal

Tuesday, October 7, 2003

All right, hold on to your hats, folks, because this white girl's about to write about race and Rush Limbaugh.

If you haven't heard already, Limbaugh resigned from his position as a commentator for ESPN's "Sunday NFL Countdown" after being lambasted by the media for remarks he made Sept. 28 about Philadelphia Eagles quarterback Donovan McNabb.

His comments went a little something like this: "I think what we've had here is a little social concern in the NFL. The media has been very desirous that a black quarterback do well. There is a little hope invested in McNabb, and he got a lot of credit for the performance of this team that he didn't deserve. The defense carried this team."

Now comes the part where the media get to shake their collective head and tremble with manufactured outrage over Limbaugh's "incendiary" remarks, as they like to call them.

Limbaugh's "insensitive" remarks have been plastered on every sports page, sports show and newscast in the country for the past week. Newspaper coverage of his comments has been paired with "it serves that bigot right" columns from sportswriters giddy with the chance to jump on the Rush-bashing bandwagon.

So, why the rush to hang Rush? Does the punishment fit the crime?

First, it is certainly true that McNabb has not shined recently, even according to McNabb.

Whether the media give him too much credit for his team's performance is debatable, but it's certainly a valid sports opinion open to discussion on any sports show. So Rush is safe so far.

Now, here's where Limbaugh did the unthinkable. He mentioned McNabb's race.

Limbaugh claims McNabb is overrated because the sports media are concerned about the status of black quarterbacks in the NFL. Are they?

Of course they are. If there wasn't social concern for the status of black athletes and coaches in the NFL, there would not have been such a stink over the Detroit Lions hiring Steve Mariuchi (a white coach) before interviewing any black candidates.

Any guess who that stink was raised by?

That's right, the nation's sports media - the same media which now claim to be socially un-concerned with the performance of black QBs and coaches in the NFL.

Whether you agree with Limbaugh's comments, they're neither totally off the wall nor racist. Limbaugh mentioned McNabb's race, but didn't disparage it. I can't count the number of times I've heard mainstream sports journalists refer to McNabb's race, so what's the difference?

Make no mistake about it, the problem is not what was said, but who said it.

Limbaugh is a conservative, white man who, in the eyes of the overwhelmingly liberal media, has no right to talk about race. As soon as the word "black" comes out of his mouth, he's a racist.

On the other hand, if you're a minority or a liberal, you can say pretty much whatever you want and the press, ever the rooter-out of racism, has nothing to say about it.

Take Dusty Baker, who is black. The Chicago Cubs manager made some gross ethnic generalizations in July when he said:

"Personally, I like to play in the heat," he said. "It's easier for me. It's easier for most Latin guys and easier for most minority people.

"Your skin color is more conducive to the heat than it is to the light-skinned people, right? You don't see brothers running around burnt and stuff, running around with white stuff on their ears and nose and stuff."

And what did the press do? It didn't demand an apology; it didn't call Dusty a bigot.

In fact, very little was written about the incident. Conservative critics roared that white men would have lost their jobs for comments like that.

In fact, two white men already had.

In the late 80s, sports commentator Jimmy "The Greek" Snyder and Dodger executive Al Campanis were both fired for making racial statements very similar to Baker's.

And it's not just sports where racist remarks from minorities are treated with kid gloves.

New York City Councilman Charles Barron attended a reparations rally in Washington, D.C., in August 2002. The black councilman addressed a crowd of several thousand, including many reporters, saying: "I want to go up to the closest white person and say 'You can't understand this, it's a black thing' and then slap him, just for my mental health."

You probably never even heard this before I wrote it, did you?

That's because only Reuters news service wrote a story on it. Evidently, the other reporters didn't think it was a story, even though it was an elected official, speaking in a public forum, making violent threats based solely on race.

Barron's response to criticism from conservative radio broadcaster Steve Malzberg was that he was using a form of humor called "black hyperbole" that "y'all wouldn't understand because you're uptight and you're gonna take it where it was not intended." (WABC Radio, Aug. 18, 2001.)

Maybe Rush should try that.

But the double standard doesn't stop there. As long as you're liberal, you're safe it seems.

Take Sen. Robert Byrd (D-W.Va.), a white man and former member of the Ku Klux Klan who used the "n-word" twice in one interview on Fox News in March 2001.

Did you hear about that one? Probably not.

The New York Times ignored the story. CNN did one report, according to Newsmax.com, a conservative news Web site.

California's Lt. Gov. Cruz Bustamante addressed the Coalition of Black Trade Unionists in 2001 using the "n-word." The press has yet to publicize the incident during the California recall race, in which Bustamante is the Democrats' best hope to defeat Republican front-runner Arnold Schwarzenegger.

If the press is going to cast itself as racism's biggest enemy, it should fight it on all fronts instead of creating it where it doesn't exist.

But the liberal press is on a witch-hunt.

Not for racists, but for white conservatives it can portray as racists. Limbaugh has made that point many times and now the media are clamoring for all they're worth to prove him right.

If you want a witch worth hunting, start looking for corrupt journalists. You won't have to look very hard.

Contact reporter Mary Katharine Ham at 997-3111, ext. 19; e-mail mkham@yourdailyjournal.com

http://www.yourdailyjournal.com/articles/2003/10/07/news/editorials/oped02.txt

Friday, October 17, 2003

20031013 Westminster Choir College by The Daily Princetonian

http://www.dailyprincetonian.com/archives/2003/10/13/page3/

Westminster Choir College

By Zack Surak, Princetonian Senior Writer

Imagine walking on to one of the smallest campuses you've ever seen. As you walk into a dramatic hall — similar in beauty and presence to Princeton's Nassau Hall — images of venerated men and women stare at you from the depths of the canvases that line the walls. History resonates from the soul of the building.

The rest of the interior is reminiscent of the elegant beauty of Prospect House with antique artifacts indicating a rich history. But the setting is not that of Prospect House or Nassau Hall.

As you ascend to the main lobby up a story from the entrance, a wall of singing suspends you in your tracks. Peering into the room awash with late afternoon sunlight, you see a woman — no more than 25 years old — standing adjacent to a black grand piano. She is sweetly singing an aria from an opera that this writer never had the privilege of hearing. The notes range at least three octaves and the emotions of the lyrics are played out on the singer's face.

Then, the surreal scene is interrupted. A member of the small audience calls out, "More legato . . . suspend . . . suspend . . . and release."

[…]

Westminster is a small music college with an undergraduate program of roughly 330 students pursuing scholarship in music. Classes include music education, organ performance, piano, sacred music, theory and composition, voice performance and music theater.

At the graduate level, Westminster also has about 110 students who are working towards a Master of Music degree.

The story of Westminster began in 1920 when John Finley Williamson established the Westminster Choir at the Westminster Presbyterian Church in Dayton, Ohio. Within a few short years, Williamson had his volunteer choir singing at a professional level at national venues.

The early success motivated Williamson to start the Westminster Choir School in 1926 to professionally train musicians. The school moved to Ithaca, New York, in 1929 and became part of Ithaca College.

Then, in 1932, the institution moved to be close to major cities with symphonic orchestras and to a seminary that would complement the school's study of sacred music. With the help of Charles Erdman, pastor of the First Presbyterian Church and professor at the Princeton Theological Seminary, the Westminster Choir School moved to Princeton and was renamed Westminster Choir College.

At the time, Princeton President John Hibben helped Westminster's move as he lobbied the New Jersey governor for approval of college's charter. In those first years, Hibben also made the University chapel available for choral services and allowed the college to use University grounds for Westminster's annual spring festival. Close ties were forged between the University and Westminster.

Westminster continued to expand its renown during the 20th century, attracting many prominent musicians to its conservatory and faculty.

Then, in 1992, Westminster merged with Rider University.

Today, Westminster continues to attract topflight musicians. The school is home to musicians from 40 states and 18 countries.

[…]

Read the entire article here: Higher Education in Princeton — The other institutions

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Westminster Choir College Princeton New Jersey, New Jersey,