Journalist @baltimoresun writer artist runner #amwriting Chaplain PIO #partylikeajournalist

Journalist @baltimoresun writer artist runner #amwriting Chaplain PIO #partylikeajournalist
Journalist @baltimoresun writer artist runner #amwriting Md Troopers Assoc #20 & Westminster Md Fire Dept Chaplain PIO #partylikeajournalist

Saturday, August 25, 2007

20070822 Edward Hopper: Poet of the ordinary


Posted Saturday, August 25, 2007

My Tentacle column for this past Wednesday, August 22, 2007 is on Edward Hopper: Edward Hopper: Poet of the ordinary

On a recent trip to Boston, I leapt at the opportunity to see the genius of Mr. Hopper, considered by many art historians to be one of the most influential, if not one of the most popular artists of the twentieth century.

Although shows in recent years have featured portions of his work, it was the Whitney in 1980 that put together the last major comprehensive retrospective show of his work, “Edward Hopper: The Art and the Artist,” took place at the Whitney. That show also toured London, Düsseldorf, Amsterdam, San Francisco, and Chicago.

In 1999 an exhibition of fifty-six watercolors from 1923 until the mid-1940s debuted at the Smithsonian American Art Museum. This was the work, painted in Gloucester and Cape Cod, which first caught the eye of the art world and collectors. Forty at the time, his watercolors that finally made him financial secure after struggling many years supporting himself as a teacher and a commercial illustrator.

Seventy of his paintings toured Europe in 2004. It traveled to Cologne, Germany and the Tate Modern in London England where published accounts have noted that in the three months it was exhibited, it was viewed by 420,000 folks becoming the second most popular in the history of the gallery.

[…]

The voyeuristic stark world of American Scene realist artist Edward Hopper was recently on view at the Museum of Fine Arts in Boston Massachusetts.

While the exhibit ranges extensively from Mr. Hopper’s early prints, watercolor landscapes and scene paintings, to his iconographic oil paintings, the exhibition focused on a 25-year period of peak artistic expression from 1923 to about 1948. The show distributed about 100 pieces of art, in chronological order across 8 gallery-rooms, including 12 prints, 34 watercolors, 48 oil paintings, and two of his “ledger” notebooks containing his sketches and notes.

Art from 39 public and 13 private collections has been brought together to give visitors the opportunity to listen carefully for the “poetry” of Mr. Hopper’s otherwise famously spare, mute landscapes, blunt geometrics and austere interiors in which the beauty is in the common place, the unexpected, and the unexceptional.

[…]

The Tate restates that one of the many reasons Mr. Hopper remains relevant today is that he has “inspired generations of artists, writers, and filmmakers including David Hockney, Mark Rothko, Alfred Hitchcock, Todd Haynes, and Norman Mailer.”

Coinciding with the National Gallery of Art show will be yet another Hopper-inspired work of art - an opera, “Later the Same Evening: an opera inspired by five paintings of Edward Hopper,” by renowned composer John Musto and librettist Mark Campbell.

The opera will be performed November 15-18, 2007 at Clarice Smith Performing Arts Center at the University of Maryland in College Park, MD, and December 2, 2007 at The National Gallery of Art

Additionally, the artistic impact of Edward Hopper’s work is the subject of a new documentary film that accompanies the exhibition.

It is narrated by actor, writer, and Hopper art collector Steve Martin and produced by the National Gallery of Art. In the Washington area, the documentary will be shown on WETA Channel 26 on Thursday, September 6 at 10:30 p.m. and in the Baltimore area on MPT Channel 67 on Sunday, September 23 at 7:30 p.m.

Read the entire column here: Edward Hopper: Poet of the ordinary

The Carroll County Arts Council is sponsoring a bus trip on September 25 to experience this must-see event in this year’s fall art calendar. Call the Arts Council at 410/848-7272 for details.

Mr. Hopper’s art may have been relatively mute in its spare commentary yet it continues to inspire the viewer to lend their own story to each enigmatic piece and artists in other media continue to add an interpretation of their own. The National Gallery exhibition is a must see event in this fall’s art and culture calendar.

Kevin Dayhoff writes from Westminster Maryland USA.

www.kevindayhoff.net

E-mail him at: kdayhoff AT carr.org or kevindayhoff AT gmail.com

His columns and articles appear in The Tentacle - www.thetentacle.com; Westminster Eagle Opinion; www.thewestminstereagle.com and Winchester Report.

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